Turn your car radio to maximum volume and you’ll hear the speakers struggling to reproduce the sound because of audio clipping. When the volume exceeds a certain level, the audio wave starts clipping, which results in a loss of audio quality. The problem is that the louder the music, the more distorted it gets. When people hear music, they often think louder is better. It makes it easy to find the next tune to play. It makes intuitive sense to sort your CDs from low to high this way you can flip one page forward or backward to see other harmonically compatible songs. When storing CDs in a wallet for easy browsing, we usually put 1A/1B in the front and 12A/12B in the back. Adding a Camelot key color at the top of the label is another useful aid. (And as an added benefit, if one disc gets scratched, you can play the other as a backup copy.)įor easy reference, print a CD label with the key code on top (8A in this case), along with the date you made the CD, and the full track names. ![]() If you burn two copies of each CD, then you can mix between songs in the same key. If you are burning CDs to use in CD players, we recommend creating a separate CD for each key–for example, put all your 8A tracks on one CD and put 9A tracks on another. rekordbox also enables you to export prepared tracks to a USB or SD card, and will load waveforms instantly onto the CDJ. ![]() The Quantize feature makes loop and cue points snap to the beat, ensuring beat-perfect loops and cues. If you use Pioneer rekordbox, you can set hot cue and loop points, beat grids, color codes, and add all the ID3 information so it appears automatically on any CDJ-2000 display. It’s crucial to set up cue points, align beat grids, and get familiar with how your music is organized before your gig. The analysis takes up a lot of CPU power and might cause latency (lag time) during playback, so it’s better to do it at home. If you’re using a program like Traktor, make sure your software analyzes the track for BPM before you play. Once you’ve sorted your playlists in iTunes based on genre, energy level, key, or specific gig, you can import them directly into software programs such as Traktor, Serato Scratch Live, or rekordbox. Of course, you can also color code your tracks based on their Camelot key. Blue = chill/early (Level 1-4 on our scale).You can color code tracks based on energy level as follows: If house is your main genre, for example, progressive or electro might be your subgenres.Īnother option is to separate your music by energy level according to warm-up, peak time and last hour. For more specific sorting, you can also create subgenres within a broader genre. Software like iTunes lets you easily create playlists based on the genres and ratings you identify. ![]() In addition to sorting by key, you can categorize by genre (tech house, deep house, indie, progressive house, and so on), separate new tunes from classics, or use a detailed rating system. You can keep your library organized by Camelot value and quickly identify songs that mix well together. Having the Camelot value in both locations gives you more flexibility if you are using multiple DJ mediums (such as Traktor and Pioneer CDJs). If you import your iTunes playlists into Serato Scratch Live, Traktor, or Pioneer rekordbox software, the ID3 tag information you stored will be converted automatically.īe sure to update key values in both the comments and key column. From there, you can update the song name, artist, album, genre, and album art, and you can add comments. To edit ID3 tags inside iTunes, right-click your music file and select Get info. Most audio players allow you to edit single files or even groups of them, which is often called batch tagging. You can edit ID3 tags using iTunes or Mixed In Key. ID3 is a metadata container that stores information such as the title, artist, album, and comment in the file itself. To start, be sure to clean up your ID3 tags. But sorting through an avalanche of tracks presents its own set of challenges. Today, thanks to MP3s and digital downloads, DJs can use a laptop or hard drive as a virtual crate to store thousands of records. They were physically limited in the amount of music they could bring with them, so they often ran the risk of leaving that perfect record at home. How many times during a set have you searched through thousands of tracks in your library trying to find a particular track? The clock is ticking, and before you know it you’ve got less than a minute to find the perfect song.īefore the advent of MP3s, DJs would have to carefully select a cache of vinyl records–usually a full crate or two that they had to carry themselves to each gig. ![]() Find And Play Unique Tracks General Tips for Organizing Your Music Collection
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